Starting A New Career In The Graphic Design

Starting A New Career In The Graphic Design

There are design standards that can be found in graphic design. These ideals are what distinguish good design from poor design. Many of these ideas are interconnected and can be used in every well-designed piece of art.

A solid understanding of design philosophy ensures that there is still substance behind the work.
The fundamental design concepts are comparison, hierarchy, symmetry, harmony, proximity, repetition, colour and contrast. Whatever work you create, whether for a magazine, poster, website, or commercial, design concepts should be considered.
A successful designer will keep these values and instructions in their toolbox and will use them consciously to shape their designs.

What are the fundamentals of graphic design?


This may be symmetrical, in which the weight of components in the design is equally distributed, or asymmetrical, in which dimension, contract, and colour are used to create harmony and flow in the design. If your design lacks focus, the viewer’s mind may not know where to look, and what you are attempting to convey can go unnoticed, and places of little importance will easily go unnoticed.

Starting A New Career In The Graphic Design
Starting A New Career In The Graphic Design


The relationship between elements in a design and the distance between them is defined by proximity. For many new graphic designers, it is possible to overthink this. Some designers like being artsy about the relationship between things, which is good if you recall this graphic design axiom: customers dislike being compelled to consider. Graphic design is all about presenting facts in an understandable manner.

As a result, proximity is essentially an organisational tactic. By grouping objects and details that belong together and distinguishing them from those that do not, you provide a logical structure of the organisation that allows the listener to identify and find the design elements that are important to them.


Alignment is concerned with how all of the components in the template are arranged in relation to one another (such as left-aligned, centre-aligned, etc.). It aids graphic designers in organising various components of their design. Alignment creates geometric symmetry in the emblem by providing a strong foundation. When synchronisation is performed correctly in every design project, the end product is straightforward, professional, and crisp. The second most critical factor is your target demographic. People who come across your design may find it easier to skim the page in one sitting. Their gaze is drawn automatically to the picture-perfect sequential sequence of your work, and their attention grows.

Visual hierarchy

Visual hierarchy can be accomplished by using techniques such as using bold or broad fonts to make one aspect of the design stand out from the others. Its aim is to encourage the audience to consume your design in the order you want.


When achieved through several designs (i.e. branding! ), this is incredibly successful. Repetition is an excellent way to connect elements of a brand to every design affiliated with it, making it simple for people to identify a design with a business.

In web and app design, repetition can be beneficial. For, e.g., you would expect a company’s logo to appear on any website and in the same location. Menu items are often replicated on the same list. This contributes to a smooth user interface. By repeating objects, we as designers not only meet our users’ needs but also enrich their experience.


Have you ever seen neon green text on a neon orange background? If you have, you most likely did not say WOW enthusiastically. Contrast means that the design’s components are legible.


Colour is used in advertisement and architecture to attract publicity and spark curiosity in ways that would be impossible to do by other means.

Colour, as a graphic design feature, has properties such as hue, saturation, and value. A traditional colour wheel diagram divides hue, another expression for colour, into three categories: principal, secondary, and tertiary. Colour mixing allows you to create an infinite number of hues. The contrast of colour is measured by the amount of white (lighter) or black hue (darker) applied to it. The value of a colour is now denoted by its lightness or darkness. Tints have more white in them, while colours have more black in them.

White Space

It would help if you did not have to cover the whole canvas. In reality, negative space can be extremely effective when it comes to emphasising and emphasising specific elements of the design. Much like it would be impossible to enjoy music without quiet, negative space in graphic design allows the eye to “rest” between vital details while still creating rhythm and order. Gutters, edges, and column spacing are also examples of negative space in a graphic design setting. Without these components, the discipline will be much less useful as a form of visual communication.

The discipline of typography is another significant example of negative space in graphic design. Strong typography, like calligraphy, is about more than just positive forms; it is also about the spaces between them. Because of the difference in negative space between letters, a combination of upper and lower case is much simpler to decipher than ALL CAPS.


This design philosophy is more concerned with how the letters and text are arranged to make the design visually pleasing to the reader. Is the text legible and understandable? To express your message, experiment with font type, presentation, and structure. Not only can good typography improve the personality of your website, but your visitors will subconsciously begin to equate the typeface displayed on your site with your brand. Unique, consistent typography will assist you in establishing a solid customer following, establishing credibility in your customers, and carrying your brand forward.

Reasons to Pursue a Career as a Graphic Designer

Let us take a closer look at this profession before going on to the “starting a junior career” issue. What are the primary motivations for starting a career in this industry? We discovered the primary three:

High in demand

Every day, thousands of news organisations around the world open their doors and recruit graphic designers. You will serve on the company’s payroll or as a freelancer with a successful career and a slew of orders from all around the country.

High earnings

In May 2018, the median annual income for graphic designers was £50,370. This statistic is rising in tandem with industry rivalry. As a result, now is the time to begin your career and establish yourself in the design industry.

There is no need for a degree

You do not need a qualification to develop a fruitful career. The most important factor is the product consistency that you make. However, in order to get a high-paying career, you must have a strong resume and portfolio. If you do not have that, Blue Sky Graphics can help you learn graphic design and also help you prepare a portfolio!