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Why Do Graphic Designers Use Adobe?
Designers are a squeamish bunch. We adore our weapons, and we will struggle for them like a mother bear does for her cubs. Our instruments, like those of a carpenter or mason, are an extension of our hands and minds. They become a part of us, as essential to our daily functioning as our brain, heart, and lungs. And, assuming your spleen is essential, our spleen.
Designing is a very specific and intimate process. It necessitates perching in front of nothing and pulling everything out of the vacuum, giving it shape, and releasing it into the universe by pure force of will. You battle self-doubt on a near-daily basis, challenging your own decisions and sometimes teetering on the brink of scraping the slate clean and beginning again. It’s a rollercoaster ride, with moments of doubt and apprehension interspersed with pinpoint certainty and delighted surprise.
And it’s all made possible by our gadgets. A carpenter without a hammer is just a man pounding wood, and a photographer without editing software is just a human who points objects at people and makes them go “click.” Our resources both assist us and, in certain respects, describe us.
Then why do we need Adobe software? Why has it been the norm for all designers? How did one tech firm come to completely control the artistic space?
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Their tech is the greatest, in a nutshell. We let them, to put it succinctly.
Where do I begin?
When a computer programmer and a graphic designer fall in love, they get really personal, brush each other’s keyboards, and launch a huge global company that produces industry-dominating design software that is used by anyone with a nose ring on the world.
Adobe is the Microsoft in computer-aided design software. There are, also, solutions to Microsoft Windows. You might have a Mac, but the majority of citizens do not. You might substitute Google Docs for Word, but very few people do. You might use Keynote instead of PowerPoint, although it would include purchasing a Mac, something you actually won’t do because you have a nose ring or a big tribal tattoo anywhere on your neck.
The same can be said about Adobe goods. Their Creative Cloud tech portfolio also features over 30 apps — industry-standard resources for web designers, photographers, animators, film developers, motion graphics creators, among others. If you’ve dabbled in graphic design of some kind, you’ve either come across or used an Adobe programme.
Of addition, there are options. Instead of Adobe Photoshop, you might experiment with GIMP or Affinity Picture. There are decent applications that mimic much of Photoshop’s features. The issue is that they aren’t Photoshop. They’re excellent. Photoshop is superior.
The same is true for Adobe Illustrator. Affinity Designer could be included, or…Affinity Designer. You, on the other hand, would not. And, unless you choose to pay thousands of pounds, nothing else would suffice if you require After Effects for motion graphics.
Can you see the issue? There are alternatives, but they are typically not as strong, versatile, or feature-rich as Adobe goods. They are still not as well known. Adobe invented the demand for computer-assisted creative visual applications, and they now basically own it.
Adobe owns you if you’re a filmmaker. Adobe owns you if you’re a talented illustrator. Adobe owns you whether you design banners, do website layout, make animations, or even breathe on a daily basis.
CAN ADOBE APPLICATIONS REALLY BE THAT GOOD?
It is the stumbling block. You are now Adobe’s house, and you can appreciate because their software is outstanding. They incorporate revolutionary new functionality to their core applications with each iteration, expanding what is feasible in the design room. They pay attention to their customers’ feedback and introduce features that make them safer, quicker, more effective, and more innovative.
Adobe apps operate, and they work in the manner that creators want them to. They are intuitive, adaptable, and sensitive, encouraging the creative process without interfering. Working in Adobe applications is, in several respects, as simple as working with a pen and paper, or paint and paper…or paper and paper, for you decoupage lovers.
Photoshop
Photoshop is the industry norm for image editing, retouching, and bitmapped architecture. It does everything you might ever want, because if it doesn’t, nothing does. It was the first, and it is still by far the strongest.
Illustrator
Illustrator is utilised by a diverse group of creatives, including logo makers, illustrators, animators, and site designers. Illustrator was the first of its sort, and it has continually innovated its way to the top spot of vector-based illustrating software, just like Photoshop.
After Effects
Around the planet, film developers and motion graphics designers utilise After Effects. It has the most comprehensive feature set in its class and can be supplemented with hundreds of free and commercially accessible plug-ins. It’s difficult to locate a video that hasn’t been touched by After Effects at any stage.
Adobe Flash
Flash, Adobe’s patented online environment for rich interactive blogs, graphics, sports, and other applications? That is, of course, no longer the case. But no one is flawless. They can’t just be diamonds.
And Adobe apps still have issues, which have become worse in recent years. Adobe apps were rock stable a decade back. Crashes were uncommon, and glitches were much more so.
That is no longer the case. Crashes happen, often on a regular basis, and strange habits appear from time to time. But there isn’t anything you can do about it because the alternatives aren’t alternatives, because their terms of service state that they own you. So, buttercup, suck it up. You are merely a cog in Adobe’s machine. Fortunately, the positive far outweighs the poor.
Despite bugs and failures, you’d have to pry the Adobe software from our cold, dead mobile paws. You are welcome and attempt to remove them, but you may have to draw back stumps.
