Online – Virtual Classes- Computer Media Design Program

Online – Virtual Classes- Computer Media Design Program

How much time do you spend on social media or the phone? It is now time to put all of that time and effort into effect. Blue Sky Graphics teaches graphic design, digital sketching, painting, animation, 3D/2D, and VR/AR using Procreate, Photoshop, Dimension, Illustrator, and other tools.

With trained, enthusiastic, innovative teachers, our mission is to help you and yours grow step by step. Our school services combine self-paced video courses and online/live technical teaching. Students appreciate our continuing courses and putting their knowledge to use by realistic assignments. This is a learning experience that teaches students how to be innovative in today’s modern world to use their talents productively as they get older.

Online - Virtual Classes- Computer Media Design Program
Online – Virtual Classes- Computer Media Design Program

Fundamentals of Graphic Design

Graphic design is important for developing your brand while still highlighting your skill sets. While branding and design are inextricably linked, it is critical to learn the basics of graphic design before embarking on any new project. You only have one chance to make a good first impression while dealing with clients, so why not infuse their expertise with the expertise and application of design elements to various projects — social media templates, web and smartphone UI, animations, banners, advertising, and so on.

Of course, as an artist, you should not be afraid to sketch beyond the lines and have fun while doing so! In reality, to break free from a mediocre or redundant design system, you must constantly colour beyond the lines; however, beginners must first understand what those prescribed lines are. So, let us go through the ten fundamental design concepts that will help you produce beautiful graphics.

01. Balance

Balance adds harmony and structure to a design. Consider the weight of each of the design features to get a deeper understanding. Shapes, text boxes, and photographs are the components that make up the template, so it is crucial to understand the visual weight that each of those elements carries. This does not imply that the elements must all be distributed equally or of equal size — equilibrium may be symmetrical or asymmetrical. Symmetrical balance occurs where the weight of components is uniformly distributed on either side of the design. In contrast, asymmetrical balance achieves flow in design through the use of size, contrast, and colour.

02. Proximity

Proximity aids in the formation of a bond between elements that are close or related. These components should not need to be grouped; instead, they should be visually linked by font, colour, scale, and so on.

03. Proper Alignment

The importance of alignment in maintaining a smooth visual link with the design elements cannot be overstated. It gives images, forms, and text blocks an orderly appearance by removing elements that are disorganised.

04. Hierarchy of Visuals

In layman’s terms, a hierarchy is created when the most significant feature or message in the concept receives extra visual weight. It can be accomplished in a variety of ways, such as using larger or bolder fonts to emphasise the title, positioning the main message higher than the other design elements, or emphasising larger, more informative, and colourful graphics over less important or smaller images.

05. Repetition

Repetition is an important design factor, particularly in branding. It establishes a rhythm and reinforces the overall design by connecting consistent elements such as the logo and colour palette, allowing audiences to recognise the brand or design immediately.

06. Contrast

Contrast occurs when there is a distinction between two contrasting design elements. The most popular forms of comparison are dark vs bright, modern vs traditional, big vs small, etc. Contrast directs the viewer’s focus to the important aspects, meaning that each hand is legible.

07. The colour

Colour is an essential design element that influences the overall mood of a design. The colours you chose will reflect your brand and its tonality, so choose wisely. As a graphic artist, having a clear understanding of colour philosophy is often beneficial. For example, gold and neutral tones elicit an overall sense of elegance, vivid colours signal pleasure, and blue induces a feeling of calmness. Colour palettes may be used to contrast or complement objects.

08. Empty Space

We have spoken about the significance of colours, pictures, and forms, but what about the blank space? It is known as ‘negative space,’ which means the field between or around the elements. Negative space, when used creatively, will help construct a form and show the important components of your design.

09. Typography

Typography is one of the most important pillars of fashion, and whether done stylistically or even customised, it may say a lot about a brand or an artwork. Often only using the word “form” is enough to convey the design definition.

10. Rules

When you are a professional graphic designer who knows the fundamentals of architecture, it is time to crack some of those rules. I do not mean using pixelated images or an illegible font type. Remember that whatever you want to share should not be undermined.

Although some of you will need to be more observant and take mental screenshots of novel concepts (that you come across), these guidelines are critical for those who want to build a successful brand with good visuals and material.

Design philosophy adds meaning to both customers and causes.

The thinking and ability to merge shape (design principles) and feature (the intent of the design) to produce an appropriate and satisfying outcome is the importance of designers to their clients and causes. Form and function as universally applied design principles were first established and formalised at the Bauhaus and have since served as the foundation for successful design. The design method and the way we deal around design elements have been altered by software, but the elements themselves have not been altered.

It is important to study design philosophy so that you can be a designer rather than just a technician. When you understand the concepts of balance, order, hierarchy, composition, structures, colour, value, shape, space, scale, texture, and so on, you will have the framework to build good (meaning accurate, suitable, and appealing) design and be much more useful to your clients than a “wrist.” And, if you want to be a designer, why not aim to be the best? Working with graphic forms with excellence, a strong method, and sound design thinking are what make you attractive to your customers.

Knowing how to use apps does not make you a designer. Think about it for a moment: artists have been around for decades, doing outstanding and successful work long before tech. The design standards for which we work have not changed. If you use a pencil and paper or Adobe Creative Cloud, you are an artist. It makes no difference what tool you use. If you cannot draw with a pencil and ink, you would not be able to design with Illustrator and Photoshop.