Graphic Design Courses Codsall

Graphic Design Courses Codsall

In a world that is constantly evolving, graphics play a significant role in conveying meaning. The only thing that could change the game is graphic design. To learn more about the concepts of graphic design and the related applications, sign up for the Blue Sky Graphics graphic design course. The graphic design course combines fundamental graphic design and philosophy with real-world tasks and implementations successfully. You will study typography, colour theory, visual hierarchy, and harmony to make stunning designs.

Elements of Graphic Design

Design elements influence how a piece of art is interpreted, performed, they used—and are found in design irrespective of skill, taste, or style.

Elements of Graphic Design
Elements of Graphic Design


All objects are made up of curves, and all structural elements are shapes in any way. Shapes may be living in shape. An example will be a button on the website: a shape that lives within the machine (which is the form).

A shape is a two-or three-dimensional object that stands out from space next to it because of a given or tacit boundary. A form can exist in various space areas and have other elements such as line, colour, texture, or motion. Including forms, shapes come in two distinct types: linear and organic.

Geometric forms may be drawn using a scale, compass, or digital instrument. They sound detailed, like a rendering of architecture. They are made in CAD or by hand and are managed and orderly.


At the point of departure for all creative expression, the line is one of the most important aspects of architecture. It is still longer than dense and maybe unbroken, broken, or inferred. The line may be longitudinal, lateral, horizontal, or even bent. It may be any distance, height, form, location, direction, range, or density.

A line can have other components, such as colour, form, and motion added to it. While simple in appearance, lines will influence the viewer’s thoughts and emotions and guide the viewer’s eye through space.

In graphic architecture, the line is widely used to contain or tear spaces apart physically. E.g., a navigation bar could have a line to be distinguished from the contents.


The texture is the way the product feels or the way it feels. There are two types of textures: tactile and visual. The tactile textures are three-dimensional and can be felt. The best example is the bark of the tree. You can feel all the bumps and ridges, the roughness and smoothness as you touch the bark. A snapshot of the same bark will be a visual texture. You can see it, but you cannot sense it.
There are currently no touch screens in digital architecture that imitate tactile textures—yet. And we are sticking to the optical textures.


Colour is one of the hardest things to harness and perhaps one of the most difficult to grasp. The fundamentals, however, are relatively clear.

Colour may assist with the organising of the design and focus on particular areas or actions. Like other elements, it has a variety of different properties: shade, saturation, and lightness. Unlike other elements, it does not necessarily have to be included. Colour can be used sparingly or in a rainbow of colours, but it appears to perform better where both the main colour and the supporting colour are present.