How Do You Photoshop Someone Into A Picture?

How Do You Photoshop Someone Into A Picture?

Learning how to Photoshop someone into a picture is a really valuable ability to have. This beginner’s tutorial will walk you through the steps of transferring a human from one picture to another. Though this is geared toward adding humans, these methods may be applied to most other compositing job.

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01. Locate the picture

When selecting the two pictures, it is critical to include matching perspective and angles to ensure that every embedded picture looks normal and in place. Try to replicate the original image’s resolution and lighting circumstances, when even minor variations will detract from a composition’s integrity.
It is preferable to have a rough edge around the subject when carving them away from their context. If the backdrop is clean enough, such as a white, block colour, you can always get away with a short cutout using the Magic Eraser method.
This entails cycling through the eraser options by clicking and staying on the toolbar icon or pressing Shift + E before you reach the Magic Eraser. With this method picked, press on the image’s unwanted areas to delete them. If it’s a blank white background, it can normally go away with a single key. Since this is a disruptive and permanent action, it is worth duplicating the layer or backing up the picture.

How Do You Photoshop Someone Into A Picture
How Do You Photoshop Someone Into A Picture

02. Make use of the Pen feature

Drawing a line using the Pen method is the most precise way to carve out an item in Photoshop. Select the Pen tool from the toolbar or with the shortcut P, then press into the canvas, somewhere on the edge of your topic, to create the first point on your course. Continue clicking around the body before the final point is connected to the first/

Keep down the mouse button as you press to pull out bezier handles and draw curves. You can later apply these to anchor points using the Convert Point feature, or you can modify current ones using the Direct Selection tool. Holding down the alt key when clicking allows you to adjust only one handle independently of the other. This route can be saved in the Paths panel or selected by right-clicking and selecting Make Selection.

03. Pay attention to the hair.

The Pen tool is great for hard, sharp lines, but it’s not good for something with rougher margins, like hair or cloth. Each designer has their own “tried and true” solution for this, which may include any mix of masks, brushes, and alpha channels. However, Select and Mask is the fastest and most powerful tool (previously known as Refine Edge).
Use the Quick Selection method to make a rough selection of your subject’s head and hair, changing the height of your brush with the square brackets buttons. Then, in the taskbar, press the Pick and Mask button to optimise the range. Then it’s a case of trial and error, playing with Radius, Contrast, and Shift Edge until you’ve eliminated as many of the backdrop as possible. You will also use this selection to mask out or erase the background until you have filtered as many as possible of the background and the hair appears normal.

04. Incorporate a human into your picture

To reposition your individual on the picture, use the Free Transform tool. If they are faced the wrong way, you can need to flip them (Image credit: Future, Matt Smith)
Flatten some layers after you’ve cut out the topic with the Pen tool and Choose and Mask, then copy and paste into the other text. Place the subject in the image where they would appear most realistic, without disrupting any viewpoint or proportions. To scale and rotate your layer, go to Edit > Free Transform. Some places that are supposed to be behind foreground points which need to be masked. You may do this with the Pen app, choosing the region before clicking the mask icon.

05. Consider lighting

Simulating the original picture’s lighting conditions would enable your topic to really inhabit the environment of the image. The simplest approach to do this is to incorporate shadows and adjust the colour balance. Simple shadows may be created by painting black with a feathered brush onto a new sheet. The opacity of this layer will then be used to control the weight of the shadows. Alternatively, you should use the Burn technique to darken the areas of the picture that need further shadow, but it is recommended that you duplicate the layer first to avoid making permanent adjustments.
Normally, you’d change the colour balance by clicking on the adjustment layer button in the Layers panel and then choosing which adjustment you wanted, but this will impact any layer below it in the composition. Place an adjustment layer over the active layer, then alt click between the layers to ensure it only runs on the layer you choose. By selecting the layer and pressing Command + J, you will repeat the changes.

06. How to Delete an Individual from a Photograph

It is much quicker to exclude anyone than it is to introduce them. Content Aware Fill is the ideal option for this scenario in Photoshop. The success of this is primarily determined by the remainder of the picture and its complexity. In a perfect environment, you can use the Pen or Lasso method to create your list, then go to Edit > Fill and pick Content Aware fill. This will then redraw the chosen location, based on an informed guess based on the rest of the image’s detail. In practise, this may be hit or miss, but doing the heavy work yourself is also preferable.

There are three solutions for this: the Patch tool, the Healing Brush, and the Clone Stamp tool, with the latter providing the most leverage. Pick the Clone Stamp function and alt-click to select the region to be cloned. And, using a soft brush and a low flow, paint onto the layer. Again, it is worthwhile to double the layer so that you have anything to apply to.