Graphic Design Courses Nenagh

Graphic Design Courses Nenagh

Graphic design has migrated from the workbench to the computer screen, in what we came to call the Desktop Printing Movement. Creation practise has changed from a laborious world of hands-on innovation to a freer but more complex digital realm, where you can immediately see the effects of choices—but any decision holds less weight so that you can reverse it with a single action. Digital illustration may appear to be more difficult but once you learn the art of graphic design, you will feel the freedom you are given to create the illustration of your choice.

Changes in Graphic Design

Today, we are on the brink of another revolution, when artificial intelligence and machine learning turn the world of graphic design on its head again. The idea is, to borrow one of the project’s slogans, “Websites that just make themselves.” The software would analyse your text content, line of business, and imagery, and spit out the completed pages without having to raise a finger.

Technology is the leading industry of our world. In graphic design, we are significantly influenced by technology, while the new age has expanded prospects for designers; it has also had a range of potential negative consequences.

As the world has become more interactive, there has been a revolution in the way people interact, the way they buy things, and the way they socialise. This digital revolution has also led to developments in graphic design over the past decade. Before the amalgamation of applications such as Adobe Photoshop, we never saw interactive bits of the sophistication that we can see now.

The use of portfolio sites has attracted a great deal of popularity in the graphic design community. While, on the one hand, many artists are responsible for receiving valuable criticism and visibility to new markets, there is still a major plagiarism issue in the online culture.

Technology is still used mainly in the design and development of works in the area of graphic design. With the digital age, we have seen a huge shift in the way; motion graphics are made. Programs such as ‘Adobe XD’ have improved efficiency in the motion industry, enabling artists to create illustrations in an incredibly brief period relative to those that have historically been comparable.

Software in Graphic Design

Graphic software is defined as a programme that can be used to develop, control or alter computer graphics rendered in two dimensions. Graphics of this sort include clip art, online graphics, multimedia images or logos.

Graphic applications can be used both in technical and informal environments. This type of programme is widely used to edit digital images until they are shared. Graphic tools can also produce digital fine art, change current clip art or design product packaging. Scanned images can also be touched and changed using the tools offered by the app.

Software that facilitates three-dimensional modelling and computer-aided design is often known to be graphics software. However, these types of apps have very specialised implementations that deal with a particular industry.

With the online graphic design course at Blue Sky Graphics in Nenagh, you can learn the software such as Adobe Photoshop, InDesign and Illustrator in great detail. So join today!

Elements of Graphic Design

Both graphics are made up of one or more graphic design elements. They are components such as colour, form, and pictures instead of design concepts such as symmetry, focal point, and use of white space. Not all sections integrate each element; for example, lines and shapes may be balanced without a picture.

Elements of Graphic Design
Elements of Graphic Design


From ancient pictograms to new logos, shapes are at the core of the style. They can be linear (squares, triangles, circles) or organic and free-form (anything at all). They may have smooth curves, sharp angles, and all in between.

• Shapes are the workhorses of graphic design that allow you to:
• Develop patterns
• Emphasise parts of your website
• Establish borders by linking or dividing the sections of the page
• Build rhythm and flow, leading the eye from one aspect to the next
• Interact to create additional elements—for example, to create a form using text on a page
With graphics tools like Adobe Illustrator, Photoshop, and free GIMP, designing and editing shapes is simpler than ever before.


Lines divide space, focus the eye, and construct shapes. On the simplest level, straight lines in formats divide content, such as magazines and journals, and on websites. Of course, artists will go even deeper with curved, dotted and zigzag lines used as distinguishing features and as the base for diagrams and graphics. Graphics experts also mix the lines with the form.

A typical technique is to use an implicit line to direct other elements along its course, such as a curve form.


Colour evokes an intense feeling, and every other aspect may be added to the artist. Colour applications are almost infinite; for example, colour can make a picture stand out, express detail, illustrate a point, reinforce context, and indicate related text on a website.

In part, colour theory hinges on the colour wheel, something we have always seen in school with the primary red, yellow, and blue colours and their connection. However, the use of colour involves an appreciation of more than just mixing; colour properties such as hue, shade, tone, shimmer, saturation and meaning overlap in separate colour models—for example, CMYK (called a subtractive model) and RGB, an additive model.


In graphic design, the intention is not merely to put a text on a page, but rather to consider and use it efficiently to advance the piece’s aims. Fonts (typefaces), scale, orientation, colour, and space all come into play. Typefaces are usually broken into family groups, such as Times and Helvetica.

Designers often use the form to construct shapes and pictures, express moods (warm, cold, joyful, sad) and invoke types (modern, traditional, feminine, masculine)—and that is just for starters.

Understanding type is an art in its entirety; in truth, individual artists commit themselves entirely to fonts’ creation. This involves expert knowledge in terms of form, such as kerning (space between letters), leading (space between lines) and tracking (the overall space between types on a page).