Creative Design Classes

Creative Design Classes

Graphic design is more than just putting together pretty photos or putting forms together to make the ideal logo. Because of the ever-changing nature of aesthetic trends, as well as a continuously shifting digital world, the design discipline never stays the same. Professional designers, on the other hand, are continuously learning, growing, and improving to better serve their clients.

What are the aspects of graphic design?

Graphic art concepts have been improved over millennia, from history written on cave walls to the complex computer graphics you see today.

From the outside, great graphic design may appear to be magical. After all, the right artist can weave together seemingly unrelated components to create a cohesive statement of personality and purpose. However, spectacular design is not the same as magic. To produce the perfect picture, graphic designers employ a set of principles and resources known as “elements of design.”

Designers are masters of manipulation in a world where every line, shape, and colour may mean the difference between brand devotion and customer misunderstanding. Let us look at the fundamentals of effective graphic design.

Creative Design Classes
Creative Design Classes

Drawing the line: Lines in Graphic Design

While your education may vary based on where and how you learn, the fundamentals of graphic design will always begin with one simple thing: the line.

Lines can be seen on your website, logo, and marketing materials. Even if you do not see them, they are there, binding everything together, dividing various parts, and bringing your attention to certain spots. You may have noticed in recent years that the minimalist style of web design has moved to eliminate lines entirely. However, this is a deliberate option chosen by graphic designers in order to generate an open-plan feel.

Solid lines were popular in the past because they represented authority, structure, and rigidity. However, as fashion has evolved, some areas of graphic design have begun to employ the “invisible” line instead. On Tinker’s website, for example, there are no lines dividing things on a page, yet items are nevertheless organised into tidy rows.

Lines in logo design

Lines also have a role in logo design. Horizontal lines are soothing and peaceful, but vertical lines show invention and inventiveness. The IBM logo is well-known for its use of lines to emphasise consistency and dependability to clients.

Shape in graphic design takes a geometric turn

Lines lead us to the next topic in graphic design elements: form. In graphic design, shapes may be as complicated or as basic as the creator desires. For example, logo forms for firms aiming for an art deco or minimalist appearance may use thin or even dotted lines. Bolder forms, on the other hand, can aid in identifying a company’s ideals or personality.

The human brain responds to graphic design shapes in a variety of ways, just as it does to lines. Circles, for example, are frequently linked with emotions of inclusion and community, whereas squares are organised and substantial. When it comes to geometric graphic design, the components around website or logo forms might influence the viewer’s perspective. The solid colour in the General Electric logo, for example, paired with its expressive typography portrays a strong, yet creative identity.

To learn more about the fundamentals of graphic design, join the Blue Sky Graphics graphic design course.

Graphic design forms are frequently an intricate element of an artist’s creative process. Designers must consider not just the forms they intentionally incorporate into a logo or website (the positive shapes), but also the shapes that naturally develop in negative space.

Grid systems in graphic design are frequently used by web designers to help them arrange and organise shapes precisely according to a predefined hierarchy. Many of the fundamental concepts of graphic design, such as balance, contrast, and alignment, may be aided by a grid system.

Colour in graphic design: sensational hues

Many of the world’s most renowned logos rely on colour to elicit certain sentiments and thoughts in their intended audience. Colour, according to most experts, became a part of the fundamentals of graphic design owing to Sir Isaac Newton, who constructed the first colour wheel in 1706. Newton studied the spectrum of colours that emerge when light goes through a prism and organised them into a circle that designers today use to aid with things like contrast.

Colour wheel

This simple method for colour in design was adopted, expanded, and optimised by artists all around the world over the years until it became the full colour wheel we know today. The more we understand about colour theory in graphic design, the easier it is to select hues that naturally complement one another in a logo or web page. Similarly, understanding contrasting colours assists students studying the basics of graphic design in making specific aspects of a picture stand out.

Graphic design also includes considering the effect that colour has on a person’s psyche. While you may not realise it, the colours used by businesses in their websites and logos are purposefully picked to make you think and feel a certain way. For example, although red is associated with passion and fire, blue is associated with safety and tranquillity. Blue appears in the logos of 33% of the world’s top 100 firms.

Typography in graphic design: Choosing a Font

Font is the next stop on our tour of graphic design fundamentals. Typography is an essential component of visual and online design. Fonts, like shapes and colours, will convey a storey about your brand. While a serif font may be used to highlight a serious news magazine, a sans-serif font is more likely to convey fun and informality.

The art of typography in graphic design has gotten increasingly difficult to master over the years, yet it is something that artists and companies cannot afford to overlook. While the words you say are essential, the way you express those words might be just as significant.

One of the first things you will discover as you study more about the basics of graphic design is that graphic design fonts and “typefaces” are not the same thing. People had to make distinct font types with metal plates back when the world was not computerised. The font is the distinct style that we now recognise by titles like “Times New Roman.” When you changed the typeface to be a certain style, font, or form (italic), it became a font.